Country: Australia / UK
Movie Review: With the original title “OXV: the Manual”, Darren Paul Fisher writes, directs, and produces his third feature film, the best so far, after the first two disastrous experiences on comedy with “Inbetweeners” (2001) and “Popcorn” (2007). This time he conceived an inventive romantic/sci-fi story set in a strange futuristic reality, curiously depicted with no special effects. It focuses on the peculiar relationship between Marie (Eleanor Wyld), an extremely ‘high-frequency’ girl unable to feel any empathy for anything, and her opposite friend Zak (Daniel Fraser), a genial ultra ‘low-frequency’ boy who falls in love with her and becomes obsessed about the frequency mechanism imposed on the humans. After several years separated from each other, Zak returns, claiming he could help changing Marie’s frequency, in order to make her more human. His strategy consisted in stealing frequencies from the ones who have more than needed, balancing the universe and allowing communication between them. With a dreamlike ambience and an appropriate atmospheric score by Ben Mowat, “Frequencies” let me down in its last part, despite the daring concept. The theories behind the experiments are baffling (mind manipulation or side effects?) and the film could have placed a little more stimulation in several scenes. However, regardless the disappointing conclusions, it’s undeniable that Fisher created an auspicious, charming independent film that is a lesson for all the unoriginal Hollywood attempts in the genre.
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